Lin Sandys
Brief summary
In the latter half of 1977 I wrote to Brian Davison asking if I could join the band. Just a couple of months after joining the learners, following the departure of one of the senior band members, I found myself in Brighton taking part in my first competition. Of course my proud parents came along to support me for what would be the first chapter of a very long association with the band, epitomised by their whacky supporters' scarves and outfits, and their prolific photographic history of the band.
Amongst a whole host of fabulous memories, my highlight would have to be playing the post horn solo at our victorious appearance at the Albert Hall in 1987 - my final outing in the band. I was very grateful to have the opportunity to return to the venue in 1992, performing in the reunion band.
Memories
I've tried to forget the embarrassing moments, but one that will stay with me forever was when I glanced up during a competitive performance at Hickstead, only to be greeted by the sight of my Mother perched precariously on top of a 40ft scaffolding tower, bellowing her support whilst furiously waving a scarf in one hand and taking photos with the other.
After leaving the band I helped out for a time as a fife instructor, but this was cut short after work commitments saw me move to Germany for a few years. Despite the distance, I manage to stay involved, albeit as the foreign Guiding contact when the band later paid a visit to Germany.
I was invited to return as an instructor shortly after Martin took over the reins, and I have remained here ever since, enthusiastically working with our young recruits trying to inspire a passion for music, confidence in playing and occasionally the difference between left and right
Away from the band
I juggle my time between being mother to Emma and Oliver, wife to Jon, running the 12th Tonbridge Guides and playing the 2nd cornet in the East Peckham Silver Band.
My philosophy is that there is a rhythm that beats inside us all - our heart - and I find there is a natural affinity in playing brass music, especially marches, with this beat. It is emotionally uplifting playing as part of a team, complimenting each other's styles and contributing to the synergy that is a brass band. I hope I can instil my passion into those that I teach by encouraging them to play from the heart and enjoy the same feelings I get.
All this because of a letter I wrote to Brian Davison thirty years ago. Long may the circle continue...